Stubbs' incredible ability to capture exact proportions, texture, tone, etc enabled him to produce paintings so admirable that he had soon secured a healthy income through commissions from various Dukes and other aristocrats. The fact that he took time to study his subjects literally inside and out meant his understanding of their make up and therefore their true to life appearance was unmatched by fellow artists. He understood the way a body moves when running for example, because he knew where and how the muscles would appear under the skin having studied the dead beast in a still life session.
Of course Stubbs would have drawn on site in front of the live animals too in order to recreate the scenes he wanted for his painting, but it would have been these initial anatomical drawings that gave him the upper hand.
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